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Maryland Shakespeare Festival : ウィキペディア英語版 | Maryland Shakespeare Festival
The Maryland Shakespeare Festival (MSF) is a theater company based out of Frederick, Maryland, dedicated to the performing of Shakespeare's plays, in addition to educating about Shakespeare, and doing performance research.〔http://www.mdshakes.org/index.html〕 ==History== Founded in 1999 by Becky Kemper and Steven Hoochuk, MSF was originally called "The Shakespeare Project." That spring a High School Intern Company was formed, and performed at the Frederick Festival of the Arts. The first Good Will Tour (GWT) of the company was "Much Ado About Nothing," which was performed for almost 3,000 in the 3 tour stops. In the 2000-2001 season, Kemper officially came on-salary as its first full-time paid staff member in the position of Producing Artistic Director. The tour of "As You Like It" found new success, performances at Hood College saw a 50% increase in audience numbers, and in Rockville and Gaithersburg, over 1,000 attend on 1 night performances. The 2001-2002 season included exciting changes to the education front with the addition of the Shakespeare Alive! program. The program performed for over 17,000 students across the state. A Community Partnership was also founded with the Weinberg Center for the Arts. The company completed its first official statewide tour in the 2003-2004 season with "Comedy Of Errors," including stops in Easton, Baltimore, Gaithersburg, Rockville and Prince George's County.〔http://www.mdshakes.org/aboutus.html#history〕 In 2008 the company began a series known as "Bare Bard". The Maryland Shakespeare Festival's goal in producing this series is to explore the original practices of William Shakespeare's company of actors and how these can inform and enliven contemporary productions. In particular, MSF uses the Bare Bards to replicate the Elizabethan practice of mounting a play with minimal rehearsal and without a director, in the modern sense of the role. The cast members of a Bare Bard memorize their roles ahead of time, and gather at the performance location only a day before the performance. They spend less than twelve hours assigning entrances and exits, blocking scenes, choreographing dances and fights, and exploring the text and story. The show is then performed twice before a live audience.
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